Citation link: https://nbn-resolving.org/urn:nbn:de:hbz:467-7665
DC FieldValueLanguage
dc.contributor.authorZenz, Svenja Elena-
dc.date.accessioned2019-09-02T10:00:46Z-
dc.date.available2013-11-6T12:12:12Z-
dc.date.available2019-09-02T10:00:46Z-
dc.date.issued2012-
dc.description.abstract"The ‘Gothical’ – On the Emergence of a Hybrid Genre" illuminates the contemporary phenomenon of ‘genre hybridity’ – the combination of differing genres. This study takes a close look at the amalgamation of two established genres, Gothic films and Musicals, and explores how their dominant characteristics mix in the new genre ‘Gothical.’ The contrasting features of Gothic films and Musicals clash and intervine, juggle and emphasize each other and result in a creative summit of social criticism. Within this Master’s thesis, three films are in focus: "The Rocky Horror Picture Show" (1975), "Sweeney Todd – The Demon Barber of Fleet Street" (2007), and "REPO! The Genetic Opera" (2008). An in-depth analysis of selected scenes of these specimens illustrates the cross-fertilization of the Gothic and Musical genre.en
dc.identifier.urihttps://dspace.ub.uni-siegen.de/handle/ubsi/766-
dc.identifier.urnurn:nbn:de:hbz:467-7665-
dc.language.isoenen
dc.rights.urihttps://dspace.ub.uni-siegen.de/static/license.txtde
dc.subject.ddc780 Musikde
dc.subject.othergenreficationde
dc.subject.otherhybridityde
dc.subject.othersocial criticismde
dc.subject.othercontemporaryde
dc.subject.otherintermedialityde
dc.subject.otherThe Rocky Horror Picture Showen
dc.subject.otherREPO! The Genetic Operaen
dc.subject.otherSweeney Todd The Demon Barber of Fleet Streeten
dc.subject.otherdenaturalizationen
dc.subject.othercontextualizationen
dc.subject.swbgothicde
dc.subject.swbMusicalde
dc.subject.swbHorrorde
dc.subject.swbironyde
dc.titleThe ‘Gothical’ : on the emergence of a hybrid genreen
dc.typeMaster Thesisde
item.fulltextWith Fulltext-
ubsi.publication.affiliationFakultät I Philosophische Fakultätde
ubsi.subject.ghbsKHZM-
ubsi.type.versionpublishedVersionde
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