Citation link:
http://dx.doi.org/10.25819/ubsi/8199
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Voigts_Marshfield_Referencing.pdf | 844.11 kB | Adobe PDF | View/Open |
Dokument Type: | Article | metadata.dc.title: | Referencing in academia | Title addition: | video essay, mashup, copyright | Authors: | Voigts, Eckart Marshfield, Katerina |
Institute: | DFG-Sonderforschungsbereich 1187 "Medien der Kooperation" | Free keywords: | Copyright | Dewey Decimal Classification: | 302.23 Medien (Kommunikationsmittel), Medienwissenschaft | GHBS-Clases: | KLEJ | Issue Date: | 2017 | Publish Date: | 2021 | Journal: | Media in action : interdisciplinary journal on cooperative media | Source: | Media in action : interdisciplinary journal on cooperative media ; 2017,2: Copyright law. – ISSN 2567-9082, S. 113 – 134. | Abstract: | Eckart Voigts and Katerina Marshfield focus on videographic essays as a genuine form of scientific or intellectual performance. They report from a student project entitled “Producing and Podcasting Film Analytical Audio Commentaries” and characterise these productions as a new form of learning and a possibility to appropriate a certain degree of multiliteracy. Especially mashups allow for mixing texts, footage, images, and sounds without having to create substantial semiotic expressions. Mashups and videographic essays are becoming increasingly important as a multi-channel cultural technique for constituting, exchanging, and presenting meanings, ideas, and materials, both for establishing amateur media studies as well as for emerging professional and academic approaches. In their contribution, they discuss the lack of established criteria for such kind of audio-visual student work as well as the lack of clarity regarding copyright issues when referencing audio-visual material. |
DOI: | http://dx.doi.org/10.25819/ubsi/8199 | URN: | urn:nbn:de:hbz:467-18231 | URI: | https://dspace.ub.uni-siegen.de/handle/ubsi/1823 | License: | http://creativecommons.org/licenses/by-sa/4.0/ |
Appears in Collections: | Publikationen aus der Universität Siegen |
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