Kiem, Karl
Preferred name
Kiem, Karl
Email
opus@karl-kiem.com
3 results
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Publication Access status: Open Access , Der Umbau des Heilig-Geist Hospitals von Alkmaar zur Waage (1582)(1996)First analysis in architectural history of the of the individual building phases of the socalled Weigh House of Alkmaar, including the original Holy Spirit Hospital, the extension of an almshouse and the conversion into a trade hall called 'Weighing House'. The text shows that the conception of the original building as a chapel is a typical misinterpretation of medieval hospitals. Furthermore it is shown that the conversion to a so-called Weigh House is a multifunctional trading hall.Source Type:Conference Proceedings672 324 - Some of the metrics are blocked by yourconsent settings
Publication Access status: Open Access , Die Gartenstadt Staaken als Prototyp der modernen deutschen Siedlung(1992)First detailed architectural history of the garden city of Staaken (1914 et sqq.) near Berlin based on newly discovered source material. Contribution to the catalogue for the highly acclaimed exhibition 'Moderne Architektur in Deutschland; Reform und Tradition' in the German Architecture Museum in Frankfurt/Main. The text deals also intensively with the projections, myths and misinterpretations and reveals the outstanding importance of this garden city for the construction of housing estates in the early 20th century.Source Type:Book Part915 2576 - Some of the metrics are blocked by yourconsent settings
Publication Access status: Open Access , Ideal und Wirklichkeit(1996)Um die Waage von Haarlem rankte sich ein einhundert Jahre alter Gelehrtenstreit, wer das Gebäude entworfen hat: Der im Entwerfen von Gebäuden unbedarfte Maler Cornelis Cornelisz. oder der Stadtbaumeister Lieven de Key. Der vorliegende Artikel liefert widmet sich hauptsächlich der Analyse des Entwurfs für die Fassade des Gebäudes. Diese Unterusuchung liefert den definitiven Beweis, dass der Entwurf von niemand anderem als Lieven de Key stammen kann. The Weigh House of Haarlem was the subject a one hundred year old scholarly dispute about who designed the building: The painter Cornelis Cornelisz., who was inexperienced in designing buildings, or the city architect Lieven de Key. The present article is mainly devoted to the analysis of the design of the building's façade. This investigation provides the definitive proof that the design could not have come from anyone other than Lieven de Key.Source Type:Article522 255
