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    PublicationAccess status: Open Access ,
    Ideal und Wirklichkeit
    (1996)
    Um die Waage von Haarlem rankte sich ein einhundert Jahre alter Gelehrtenstreit, wer das Gebäude entworfen hat: Der im Entwerfen von Gebäuden unbedarfte Maler Cornelis Cornelisz. oder der Stadtbaumeister Lieven de Key. Der vorliegende Artikel liefert widmet sich hauptsächlich der Analyse des Entwurfs für die Fassade des Gebäudes. Diese Unterusuchung liefert den definitiven Beweis, dass der Entwurf von niemand anderem als Lieven de Key stammen kann. The Weigh House of Haarlem was the subject a one hundred year old scholarly dispute about who designed the building: The painter Cornelis Cornelisz., who was inexperienced in designing buildings, or the city architect Lieven de Key. The present article is mainly devoted to the analysis of the design of the building's façade. This investigation provides the definitive proof that the design could not have come from anyone other than Lieven de Key.
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      522  255
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    PublicationAccess status: Open Access ,
    Weigh house : a building type of the Dutch Golden Century
    (2017)
    The weigh house, a unique architectural typology, was integral to Dutch culture throughout the seventeenth and eighteenth centuries. This typology is almost exclusively found in the provinces of Holland and Friesland. It is not surprising that the most famous painters of this period resided in these two provinces, as these territories formed the economic and cultural center of the Republic of the United Netherlands. The weigh house developed into an independent architectural typology during the so-called Golden Century. Generally speaking, the weigh house can be seen as the architectural equivalent of Rembrandt and Vermeer’s artistic works.
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      850  257
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    PublicationAccess status: Open Access ,
    Weigh house : a building type of the Dutch Golden Century (2nd edition)
    (2019)
    The weigh house, a unique architectural typology, was integral to Dutch culture throughout the seventeenth and eighteenth centuries. This typology is almost exclusively found in the provinces of Holland and Friesland. It is not surprising that the most famous painters of this period resided in these two provinces, as these territories formed the economic and cultural center of the Republic of the United Netherlands. The weigh house developed into an independent architectural typology during the so-called Golden Century. Generally speaking, the weigh house can be seen as the architectural equivalent of Rembrandt and Vermeer’s artistic works.
    Source Type:
      1071  487