Citation Link: https://doi.org/10.25819/dedo/134
Porno in der Puppenstube. Allen Jones, Jann Haworth und das Narrativ der sexuellen Verfügbarkeit im Kunstkontext
Alternate Title
Real Doll Fantasies. Allen Jones, Jann Haworth, and the Narrative of Sexual Availability in the Art Context
Source Type
Article
Author
Subjects
Allen Jones
Jann Haworth
pop art
mannequin
sex doll
real doll
gender discourse
sexism
uncanny valley
Source
denkste: puppe - multidisziplinäre zeitschrift für mensch-puppen-diskurse; Bd. 5 Nr. 1 (2022): Puppen und Puppenfiguren in Narrativen – Themen und Motive in Literatur, Kunst, Theater, Film, Medien, Alltags- und Populärkulturen ; 88-98
Issue Date
2022
Publisher
universi - Universitätsverlag Siegen
Abstract
Dolls/puppets as anthropomorphic beings invite human beings to interact with them. If doll and human meet, the doll/puppet creates an incentive for action in the sense of a doll-specific affordance, which stimulates the inner-psychic interplay of identity and alterity in the human counterpart. In the paper it is argued that alterity is situationally inscribed in the doll/puppet as a psychological narrative: the doll is perceived as alter that correlates with an awareness of ego. It is an alterity offered by the doll with a performative potential for the human counterpart. The coincidence of alterity narrative (on the part of the doll) and new self-assurance (on the part of the human) is also found in literary texts. Using the example of two stories – An Emigrant (1914/1930) by Selma Lagerlöf and Popp and Mingel (1960) by Marie Luise Kaschnitz – these considerations are explored: Two adolescent boys take up the doll's narrative of alterity as a potential for differentiating their self-concept, which leads to their being able to release themselves from gender role clichés for a certain time.
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