Citation Link: https://doi.org/10.25819/dedo/132
Von der Modepuppe zum Mannequin und zurück. Weibliches Selbstverständnis zwischen (Re)Präsentation und Individualität
Alternate Title
From Fashion Doll to Mannequin and Back Again. Female Self-Image Between (Re)Presentation and Individuality
Source Type
Article
Author
Subjects
Pandora
fashion dolls
mannequins
reform movement
Source
denkste: puppe - multidisziplinäre zeitschrift für mensch-puppen-diskurse; Bd. 5 Nr. 1 (2022): Puppen und Puppenfiguren in Narrativen – Themen und Motive in Literatur, Kunst, Theater, Film, Medien, Alltags- und Populärkulturen ; 70-77
Issue Date
2022
Publisher
universi - Universitätsverlag Siegen
Abstract
This article traces the evolution of the fashion doll to the living mannequin, illuminating the symbolic flip side of a female uniformity that is still valid today. In current parlance, fashion dolls are fashion victims; overly concerned with their appearance and often ridiculed. The origin of the doll narrative are so-called Pandora dolls, which instructed ladies of European royal houses about the latest fashion trends since the 17th century. Their mission turned out to be disastrous, as their function as a stiff presentation model was reassigned directly to the human wearer of the fine dresses. The doll-like type of woman criticized by reform movements around 1900 forms - metaphor and reality at the same time - the central reference
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