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Publication Access status: Open Access , Das Pimperltheater – Eine sehr persönliche Theatergeschichte und kleine Geschichte des Theaters. Rezension zu Helmut Birkhan: Eine kleine Theatergeschichte oder Der Lauf der Welt auf dem erbaulichen Kinder-MarionettentheaterThis review presents the digitally published "Little History of Theater" by medievalist and Celtic scholar Helmut Birkhan, written in a very personal handwriting, in which he provides diverse insights into his extensive private collection on the world of miniature theater and Viennese Pimperltheater.Source Type:ArticleJournal:denkste: puppe / just a bit of: doll (de:do)Volume number:2022,1-Artikel_142 3 - Some of the metrics are blocked by yourconsent settings
Publication Access status: Open Access , Das kleine Automatisierungstheater präsentiert: „Von der Puppe zum Bot“ (Eine kurze Geschichte der Technik). Graphic NovelThe following graphic novel is an excerpt from the fully automated puppet theater Of someone who went forth to find a flat in Berlin. An automation-drama in three acts – Act 3: In ultimate consequence by Clemens Schöll (2019/2020). For this version, the footage from the filmic documentation as well as the 3D scans was transformed with the support of various automated software components. As in the puppet theater original, automation processes are used to talk about automation: Who has which accesses, who sets the rules and who benefits from automation?Source Type:ArticleJournal:denkste: puppe / just a bit of: doll (de:do)Volume number:2022,1-Artikel_13207 109 - Some of the metrics are blocked by yourconsent settings
Publication Access status: Open Access , „Der Puppenspieler von Mexiko“. Ein essayistischer Streifzug vom Figurentheater im deutschen Schlager zur Belebung Pinocchios durch Walt DisneyStarting with the German pop song “Der Puppenspieler von Mexico” (1972), the essay follows the history of its development and its forerunners (“The Young New Mexican Puppeteer” and the Original Soundtrack to the Disney film "Pinocchio") and tracks different perspectives on puppet theater and its performers in this foray.Source Type:ArticleJournal:denkste: puppe / just a bit of: doll (de:do)Volume number:2022,1-Artikel_122 3 - Some of the metrics are blocked by yourconsent settings
Publication Access status: Open Access , Nicotino zieht an Orlandos Fäden. Verwicklungen der sizilianischen opera dei pupi in Vincent Dieutres Film Orlando feritoIn his film Orlando ferito (2015), filmmaker Vincent Dieutre creates a collage of different images, sequences and overlapping narratives. One of these narrative strands is about the secret life of the Sicilian pupi backstage at their puppet theatre. Their story develops into the actual thread of the film and brings together different levels (autobiographical, essayistic, aesthetic) in a parable. Dieutre’s aesthetic procedures crystallise in the filmic staging of the play about Orlando, who is caught in a deep melancholy, in a constant reversal of reality and fiction, of life and theatre. The Sicilian pupi contribute to this with their allegorical potential by offering multiple identifications. Thus, not only Dieutre recognises himself in a marionette, but also his friends and interlocutors become confused in the threads of the pupi, until their gaze becomes the mirror of the audience in the darkness of the cinema hall.Source Type:ArticleJournal:denkste: puppe / just a bit of: doll (de:do)Volume number:2022,1-Artikel_11217 112 - Some of the metrics are blocked by yourconsent settings
Publication Access status: Open Access , Can One Squander Their Purest Affections on Gruesome Foreign Bodies? Remarks on the Doll Motif in the Oeuvre of Marek PiaseckiThe 1950s and 1960s series of black-and-white photographs by the Polish artist Marek Piasecki (1935-2011) entitled The Doll as well as the objects created in the same period in which the artist wove the motif of a doll are analysed in the context of the doll text by Rainer Maria Rilke and the work of Hans Bellmer, complemented by reflections by Anna Szyjkowska-Piotrowska, Georges Didi-Huberman and other contemporary authors.. Fragmentation of bodies in these works by Piasecki is not a device of eroticization or fetishization, as in Bellmer, but makes one aware of their defenceless fragility and mortality. As a typical abject Piasecki’s doll attract as much as they put one off; their presence verges on unbearable as it awakens the anxiety of death.Source Type:ArticleJournal:denkste: puppe / just a bit of: doll (de:do)Volume number:2022,1-Artikel_10193 119 - Some of the metrics are blocked by yourconsent settings
Publication Access status: Open Access , Porno in der Puppenstube. Allen Jones, Jann Haworth und das Narrativ der sexuellen Verfügbarkeit im KunstkontextDolls/puppets as anthropomorphic beings invite human beings to interact with them. If doll and human meet, the doll/puppet creates an incentive for action in the sense of a doll-specific affordance, which stimulates the inner-psychic interplay of identity and alterity in the human counterpart. In the paper it is argued that alterity is situationally inscribed in the doll/puppet as a psychological narrative: the doll is perceived as alter that correlates with an awareness of ego. It is an alterity offered by the doll with a performative potential for the human counterpart. The coincidence of alterity narrative (on the part of the doll) and new self-assurance (on the part of the human) is also found in literary texts. Using the example of two stories – An Emigrant (1914/1930) by Selma Lagerlöf and Popp and Mingel (1960) by Marie Luise Kaschnitz – these considerations are explored: Two adolescent boys take up the doll's narrative of alterity as a potential for differentiating their self-concept, which leads to their being able to release themselves from gender role clichés for a certain time.Source Type:ArticleJournal:denkste: puppe / just a bit of: doll (de:do)Volume number:2022,1-Artikel_093 3 - Some of the metrics are blocked by yourconsent settings
Publication Access status: Open Access , Louisa Clements ‚Puppen‘. Reproduzierte Körper zwischen Virtualität und RealitätSex dolls with AI (artificial intelligence), candy colored avatars and photographed (shop window) dolls: In Louisa Clement's works the doll appears in different shapes as a central motif for questioning the human body in digital contexts. Fragmented, anonymized, and almost dehumanized, dolls, avatars, or seemingly lifelike reproductions of the artist's body confront viewers. The absence of the physical body, which is suggested in the dolls as representatives, leads to a tense interplay between virtuality and reality.Source Type:ArticleJournal:denkste: puppe / just a bit of: doll (de:do)Volume number:2022,1-Artikel_08371 304 - Some of the metrics are blocked by yourconsent settings
Publication Access status: Open Access , Von der Modepuppe zum Mannequin und zurück. Weibliches Selbstverständnis zwischen (Re)Präsentation und IndividualitätThis article traces the evolution of the fashion doll to the living mannequin, illuminating the symbolic flip side of a female uniformity that is still valid today. In current parlance, fashion dolls are fashion victims; overly concerned with their appearance and often ridiculed. The origin of the doll narrative are so-called Pandora dolls, which instructed ladies of European royal houses about the latest fashion trends since the 17th century. Their mission turned out to be disastrous, as their function as a stiff presentation model was reassigned directly to the human wearer of the fine dresses. The doll-like type of woman criticized by reform movements around 1900 forms - metaphor and reality at the same time - the central referenceSource Type:ArticleJournal:denkste: puppe / just a bit of: doll (de:do)Volume number:2022,1-Artikel_071 3 - Some of the metrics are blocked by yourconsent settings
Publication Access status: Open Access , Traditionspflege, ethnische Vielfalt oder Diskriminierung in der Puppenstube? Ein neuer Blick auf traditionelle Museumspraxis am Beispiel des Puppenund Spielzeugmuseums Baden bei WienThe small Lower Austrian Doll and Toy Museum in Baden, which addresses both children and adults, is used as an example to critically look at current practice of presenting and naming doll exhibits in relation to the issue of ethnic diversity. These considerations are linked to contemporary discourses on (ethnic) discrimination, Eurocentrism and racism. The question is raised to what extent a critical view on outdated and discriminatory forms of museum presentations can be or become a starting point for a more differentiated and innovative museum practice even when it comes to more traditionally oriented doll museums. This article cannot provide ready-made solutions, but should contribute to the problematization of current practice.Source Type:ArticleJournal:denkste: puppe / just a bit of: doll (de:do)Volume number:2022,1-Artikel_06283 212 - Some of the metrics are blocked by yourconsent settings
Publication Access status: Open Access , Puppets in Preschool: Children as the ‘More Knowledgeable Other’ – A Snapshot from a Research StoryPuppets and dolls play an infinite number of roles in shaping children’s learning and development in early childhood settings. This paper examines the ‘principle of the puppet’ when viewing the doll/puppet from a twist on the Vygotskian perspective as the More Knowledgeable Other activating imagination and the Zone of Proximal Development (ZPD) (Vygotsky 1978). Traditionally, approaches in early education have placed the adult as the knower and the child in the position of needing to know. In this paper it is argued that this overlooks the knowledge of children and calls for a different research approach. In the following article I outline how the puppet may occupy the position of the less knowledgeable other, thus, redefining and expanding on the use of this strategy in early childhood settings. It includes one day of a six months research story when a yellow duck puppet, named Mabel, was able to activate the ZPD through this learning process and repositioned the children as experts.Source Type:ArticleJournal:denkste: puppe / just a bit of: doll (de:do)Volume number:2022,1-Artikel_052 4