Erstić, Marijana

Preferred name
Erstić, Marijana

Settings

Now showing 1 - 3 of 3
  • Some of the metrics are blocked by your 
    consent settings
    PublicationAccess status: Open Access ,
    Ein Jahrhundert der Verunsicherung : medienkomparatistische Analysen
    (2017)
    Erstić, Marijana
    According to Susan Sontag, the 20th century ”was born and died in Sarajevo“. After the two World Wars, the Cold War and the Yugoslav War, this fact seems to be relevant through the whole of Europe. It shows its implications in the aesthetics of terror. The book primarily analyses works from the Alps-Adriatic region, which use these aesthetics as an anticipation, as an explanation, as a warning, as an appeal (works by Stefan Zweig, Gabriele d´Annunzio, Miroslav Krleža, Thomas Mann, Roman Polanski, Władysław Szpilman, Pier Paolo Pasolini, Michelangelo Antonioni, Rainer Werner Fassbinder, Tarsem Singh, Derek Jarman, Giuseppe Tornatore, Ferdinand von Schirach, Slavenka Drakulić, Jasmila Žbanić, Danis Tanović, Oliviero Toscani, U2). These various works unmask the 20th century as a successor to the 16th century, as a century of insecurity and uncertainty.
    Source Type:Habilitation
    Series:Reihe Medienwissenschaften
    Volume number:12
      1570  1888
  • Some of the metrics are blocked by your 
    consent settings
    PublicationAccess status: Open Access ,
    Paragone 1900 : Studien zum Futurismus
    (2018)
    Erstić, Marijana
    The twentieth century can be defined as a new century of insecurity and uncertainty. Within media studies, people often speak about a crisis of gestures and movement in pictures and texts at the beginning of the 20th century, which accompanies the development of the new media. This refers to a new paragone, a comparison of the old arts and the new media, as can be observed in the First Italian Futurism (1909–1918). The new media photography and film compete with the much older arts painting and sculpture. In this intermedial and comparative study, the author analyzes the new technical and medial developments as a change in perceptual patterns in Italian Futurism and in the artistic developments which followed.
    Source Type:Habilitation
    Series:Reihe Medienwissenschaften
    Volume number:14
      1532  1852
  • Some of the metrics are blocked by your 
    consent settings
    PublicationAccess status: Open Access ,
    Pasolini - Haneke: Filmische Ordnungen von Gewalt
    (2014)
    Erstić, Marijana
    ;
    Natlacen, Christina
    ;
    Paul, Konrad
    ;
    Wulff, Hans J.
    ;
    Jahraus, Oliver
    Die in dieser Ausgabe veröffentlichten Texte, die auf eine Tagung an der Universität Siegen im Oktober 2012 zurückgehen, machen es sich zur Aufgabe, den sozio-politischen Ordnungen von Gewalt und deren Visualisierung im Körper und den Gesten der Protagonisten in den Filmen von Pier Paolo Pasolini und Michael Haneke nachzugehen.
    Source Type:Periodical Part
    Journal:Navigationen - Zeitschrift für Medien- und Kulturwissenschaften
    Volume number:14,1
      1488  680