Fooken, Prof. Dr. Insa
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Fooken, Prof. Dr. Insa
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Publication Access status: Open Access , Alterität als Narrativ der Puppe. Selbstvergewisserung und Lösung aus Geschlechtsrollenklischees im Spiel mit PuppenDolls/puppets as anthropomorphic beings invite human beings to interact with them. If doll and human meet, the doll/puppet creates an incentive for action in the sense of a doll-specific affordance, which stimulates the inner-psychic interplay of identity and alterity in the human counterpart. In the paper it is argued that alterity is situationally inscribed in the doll/puppet as a psychological narrative: the doll is perceived as alter that correlates with an awareness of ego. It is an alterity offered by the doll with a performative potential for the human counterpart. The coincidence of alterity narrative (on the part of the doll) and new self-assurance (on the part of the human) is also found in literary texts. Using the example of two stories – An Emigrant (1914/1930) by Selma Lagerlöf and Popp and Mingel (1960) by Marie Luise Kaschnitz – these considerations are explored: Two adolescent boys take up the doll's narrative of alterity as a potential for differentiating their self-concept, which leads to their being able to release themselves from gender role clichés for a certain time.Source Type:ArticleJournal:denkste: puppe / just a bit of: doll (de:do)Volume number:2022,1-Artikel_032 6 - Some of the metrics are blocked by yourconsent settings
Publication Access status: Open Access , Puppen als Seelenverwandte – biographische Spuren von Puppen in Kunst, Literatur, Werk und DarstellungThis fourth issue of denkste: puppe / just a bit of: doll (de:do), a multidisciplinary online journal for human-doll discourses, takes up the thematic focus on dolls/puppets as soulmates – biographical traces of dolls/puppets in art, literature, work and performance. It is about the impact of early doll experiences in later artistic work and thus about the possible (biographical) roots and connections of doll motifs and doll narratives in artistic-literary work. Doll/puppet references in work and creative processes can transform early experiences of biographical breaks and harm or integrate them in an artistically productive way, but they can also be an expression of continuity and intensification of early experience and preferences. The present contributions deal with doll/puppet-related artistic forms of expression, which are formally presented in different ways: as science-based text, self-report, miscellaneous, review, interview and: work of art. Doll/puppet collections, the making of particular puppets, literary puppet texts, performances and images are examined and addressed. In addition, further contributions were included, which deal with dolls as variants of "artificial humans" in the most diverse thematic contexts. Most of the contributions indicate that the affinity to the “phenomenon of the doll” in its various artistic forms of realization refers to biographically shaped traces: as a means of expression and representation the doll thus also stands for something special about the human beings who refer to it artistically and interact and "play" with it.Source Type:Periodical PartJournal:denkste: puppe / just a bit of: doll (de:do)Volume number:2021,15 6 - Some of the metrics are blocked by yourconsent settings
Publication Access status: Open Access , Puppen und Puppenfiguren in Narrativen – Themen und Motive in Literatur, Kunst, Theater, Film, Medien, Alltags- und PopulärkulturenThis thematic issue deals with the diversity and potential of doll/puppet narratives in the broadest sense and with their universal and/or culture-specific forms, traces, traditions and folklore as well as with the interplay of the respective reception references. These narratives are traced in a variety of different literary, artistic, cinematic, (pop-)cultural and folkloristic genres as well as in pedagogically relevant fields. In addition, s specially designed short graphic novel questions the linking of classic puppet theater narratives with seminal AI-based automation fantasies.Source Type:Periodical PartJournal:denkste: puppe / just a bit of: doll (de:do)Volume number:2022,12 7 - Some of the metrics are blocked by yourconsent settings
Publication Access status: Open Access , puppen/dolls like mensch – puppen als künstliche menschen. Teilband 1.1The third edition of the journal denkste: puppe / just a bit of: doll (de: do), a multidisciplinary online journal for human-doll discourses, is a double issue whose shared thematic focus is: puppen/dolls like mensch – dolls/puppets as artificial beings. With this focus, we take up a topic that has concerned mankind since ancient times and has always upset their 'minds' and 'hearts’, their needs and feelings. In mythologies, literary fictions and narratives for adults as well as for children, in works of the visual arts, in film, in mechanical-technical applications and utopias, in the performative arts, in (play-)pedagogy and in the various fields of pop culture, the motif of the doll with its various forms of expression always raises existential questions: Who is man, what is human? The doll as an artificial human being is in a certain way like mensch without being human. As man-made images, as models, imitations and designs of humans, dolls/puppets reflect and confirm existing worlds and at the same time sound out the potentials and abysses of being human between utopia and dystopia, between curiosity and devotion, between horror and bliss, between power and powerlessness. Dolls/puppets like mensch – the double meaning of these words emphasizes the given ambiguity of the dolls/puppets and the intriguing ambivalences inherent in them. In the first part of volume (1.1) the traces and manifestations of the doll motif and of doll(s) – as literary narrative, as artistic motif, as materialized object – will be explored primarily in the context of the fine arts, of literature, photography, theater and android technologies. In the second part of the volume (1.2), on the one hand, children's literature and (play)didactic texts are accentuated; on the other hand, various media and pop-cultural formats from the fields of computer games, comic-film adaptations, films (of different genres) and puppet theater performances are gathered here, as well as issues that link material artifacts and literary narratives. Reviews in the form of essays on literary doll narratives, a photo exhibition and a ballet round off both editions. The time span extends from the Middle Ages to the present and future and shows once again how age-old questions regarding mankind and humanity are integrated into traditional lines and are carried on continuously in fascinating ways.Source Type:Periodical PartJournal:denkste: puppe / just a bit of: doll (de:do)Volume number:2020,1,12 6 - Some of the metrics are blocked by yourconsent settings
Publication Access status: Open Access , puppen/dolls like mensch – puppen als künstliche menschen. Teilband 1.2The third edition of the journal denkste: puppe / just a bit of: doll (de: do), a multidisciplinary online journal for human-doll discourses, is a double issue whose shared thematic focus is: puppen/dolls like mensch – dolls/puppets as artificial beings. With this focus, we take up a topic that has concerned mankind since ancient times and has always upset their 'minds' and 'hearts’, their needs and feelings. In mythologies, literary fictions and narratives for adults as well as for children, in works of the visual arts, in film, in mechanical-technical applications and utopias, in the performative arts, in (play-)pedagogy and in the various fields of pop culture, the motif of the doll with its various forms of expression always raises existential questions: Who is man, what is human? The doll as an artificial human being is in a certain way like mensch without being human. As man-made images, as models, imitations and designs of humans, dolls/puppets reflect and confirm existing worlds and at the same time sound out the potentials and abysses of being human between utopia and dystopia, between curiosity and devotion, between horror and bliss, between power and powerlessness. Dolls/puppets like mensch – the double meaning of these words emphasizes the given ambiguity of the dolls/puppets and the intriguing ambivalences inherent in them. In the first part of volume (1.1) the traces and manifestations of the doll motif and of doll(s) – as literary narrative, as artistic motif, as materialized object – will be explored primarily in the context of the fine arts, of literature, photography, theater and android technologies. In the second part of the volume (1.2), on the one hand, children's literature and (play)didactic texts are accentuated; on the other hand, various media and pop-cultural formats from the fields of computer games, comic-film adaptations, films (of different genres) and puppet theater performances are gathered here, as well as issues that link material artifacts and literary narratives. Reviews in the form of essays on literary doll narratives, a photo exhibition and a ballet round off both editions. The time span extends from the Middle Ages to the present and future and shows once again how age-old questions regarding mankind and humanity are integrated into traditional lines and are carried on continuously in fascinating ways.Source Type:Periodical PartJournal:denkste: puppe / just a bit of: doll (de:do)Volume number:2020,1,26 4