Einwächter, Sophie G.

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Einwächter, Sophie G.

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    PublicationAccess status: Open Access ,
    Copyright law
    (2017)
    Volmar, Axel
    ;
    Hoffmann, Dagmar
    ;
    Klass, Nadine
    ;
    Döhl, Frédéric
    ;
    Kempfert, Kamila
    Contents Editorial Research Articles Formats as Media of Cooperation / Axel Volmar Thematic Focus: Copyright Law Editorial: The Reference as Part of the Art Form. A Turning Point in Copyright Law? / Dagmar Hoffmann, Nadine Klass The Concept of “Pastiche” in Directive 2001/29/EC in the Light of the German Case Metall auf Metall / Frédéric Döhl Transformative Works and German Copyright Law as Matters of Boundary Work / Kamila Kempfert, Wolfgang Reißmann Negotiating Legal Knowledge, Community Values, and Entrepreneurship in Fan Cultural Production / Sophie G. Einwächter Referencing in Academia: Video Essay, Mashup, Copyright / Eckart Voigts, Katerina Marshfield Re-Use under US Copyright Law: Fair Use as a Best Practice or Just a Myth of Balance in Copyright? / Sibel Kocatepe Reports Grounded Design in a Value Sensitive Context / Volker Wulf in conversation with Batya Friedman
    Source Type:Periodical Part
    DOI:10.25819/ubsi/9912
    Journal:Media in action : interdisciplinary journal on cooperative media
    Volume number:2017,2
      412  2229
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    PublicationAccess status: Open Access ,
    Negotiating legal knowledge, community values, and entrepreneurship in fan cultural production
    (2017)
    Einwächter, Sophie G.
    Sophie G. Einwächter sheds light on the digital transformation of fan culture leading to the phenomenon of entrepreneurial fans who now gather large audiences for their media and make money with practices that were initially purely rooted in fan culture. Einwächter presents two different cases: First, the well-publicised case of fan-fiction-turned-bestseller-author E. L. James (Fifty Shades of Grey trilogy), which evoked a negative response from within her former online community, (with the criticism mostly referring to the ethical rather than the legal status of her work) and, second, the German case of Harry-Potter-fan-turned-comedian Kathrin Fricke, also known as Coldmirror, which shows that practices of fan culture can find a professional market without causing community backlash. Furthermore, Einwächter demonstrates how especially those fan producers who are in charge of their own sites and media infrastructures respond to copyright uncertainty by using copyright disclaimers, reaching an agreement with copyright holders, expanding their own legal knowledge, or by engaging in risk distribution or pragmatic productivity.
    Source Type:Article
    DOI:10.25819/ubsi/8194
    Journal:Media in action : interdisciplinary journal on cooperative media
    Volume number:2017,2-Artikel_05
      399  359