Döhl, Frédéric

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Döhl, Frédéric

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    PublicationAccess status: Open Access ,
    Copyright law
    (2017)
    Volmar, Axel
    ;
    Hoffmann, Dagmarorcid-logo
    ;
    Klass, Nadine
    ;
    Döhl, Frédéric
    ;
    Kempfert, Kamila
    Contents Editorial Research Articles Formats as Media of Cooperation / Axel Volmar Thematic Focus: Copyright Law Editorial: The Reference as Part of the Art Form. A Turning Point in Copyright Law? / Dagmar Hoffmann, Nadine Klass The Concept of “Pastiche” in Directive 2001/29/EC in the Light of the German Case Metall auf Metall / Frédéric Döhl Transformative Works and German Copyright Law as Matters of Boundary Work / Kamila Kempfert, Wolfgang Reißmann Negotiating Legal Knowledge, Community Values, and Entrepreneurship in Fan Cultural Production / Sophie G. Einwächter Referencing in Academia: Video Essay, Mashup, Copyright / Eckart Voigts, Katerina Marshfield Re-Use under US Copyright Law: Fair Use as a Best Practice or Just a Myth of Balance in Copyright? / Sibel Kocatepe Reports Grounded Design in a Value Sensitive Context / Volker Wulf in conversation with Batya Friedman
    Source Type:Periodical Part
    DOI:10.25819/ubsi/9912
    Journal:Media in action : interdisciplinary journal on cooperative media
    Volume number:2017,2
      2  14
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    PublicationAccess status: Open Access ,
    The concept of “pastiche” in Directive 2001/29/EC in the light of the German case Metall auf Metall
    (2017)
    Döhl, Frédéric
    Frédéric Döhl analyses the development of the “Metall auf Metall” lawsuit from the beginning in 1999 until now and reviews all legal positions on micro-sampling. Moreover, he introduces “pastiche” as an exception in European copyright as a possible basis for the foundations of future copyright. So far, it remains to be clarified whether and how digital adaptations from other musical works and media can achieve the status of an “independent work” according to German copyright. Döhl reminds us that, in adaptation research, it is commonly acknowledged across all arts that, as a matter of principle, all adaptations can reach a state of artistic identity in their own right, no matter how prominent the original material may be in the new work. The controversial question is how and when these new works pass that threshold rather than whether they reach it at all. From an artistic point of view, the concept of independent use as an aesthetic category is a suitable instrument for a free balance of interests.
    Source Type:Article
    DOI:10.25819/ubsi/8181
    Journal:Media in action : interdisciplinary journal on cooperative media
    Volume number:2017,2-Artikel_03
      2  12