Kocatepe, Sibel

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Kocatepe, Sibel

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    PublicationAccess status: Open Access ,
    Copyright law
    (2017)
    Volmar, Axel
    ;
    Hoffmann, Dagmar
    ;
    Klass, Nadine
    ;
    Döhl, Frédéric
    ;
    Kempfert, Kamila
    Contents Editorial Research Articles Formats as Media of Cooperation / Axel Volmar Thematic Focus: Copyright Law Editorial: The Reference as Part of the Art Form. A Turning Point in Copyright Law? / Dagmar Hoffmann, Nadine Klass The Concept of “Pastiche” in Directive 2001/29/EC in the Light of the German Case Metall auf Metall / Frédéric Döhl Transformative Works and German Copyright Law as Matters of Boundary Work / Kamila Kempfert, Wolfgang Reißmann Negotiating Legal Knowledge, Community Values, and Entrepreneurship in Fan Cultural Production / Sophie G. Einwächter Referencing in Academia: Video Essay, Mashup, Copyright / Eckart Voigts, Katerina Marshfield Re-Use under US Copyright Law: Fair Use as a Best Practice or Just a Myth of Balance in Copyright? / Sibel Kocatepe Reports Grounded Design in a Value Sensitive Context / Volker Wulf in conversation with Batya Friedman
    Source Type:Periodical Part
    DOI:10.25819/ubsi/9912
    Journal:Media in action : interdisciplinary journal on cooperative media
    Volume number:2017,2
      412  2229
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    PublicationAccess status: Open Access ,
    Re-Use under US copyright law
    (2017)
    Kocatepe, Sibel
    Sibel Kocatepe takes a look beyond the borders of the German jurisdiction and analyses US-American copyright law and their regulations with regard to referential forms of art. She elaborates on the so-called “fair use” doctrine as a limitation on copyright and its application in US-American judicial practice. Her contribution emphasises that the often-lauded American fair use limitation provides the necessary flexibility for solving conflicts of interests between copyright holders of original works and artists that use them within the restrictions of copyright. At the same time, Kocatepe highlights the fact that this flexibility might also result in a certain degree of unpredictability and legal uncertainty. In this context, she discusses whether the flexible fair use doctrine is actually able to balance conflicts of interests, in order to evaluate whether a legal transplant of this standard is, in fact, advisable. Kocatepe also touches upon the question whether the new Canadian “YouTube Exception” for non-commercial user-generated content might be a more preferable limitation for the German and ultimately the European jurisdiction.
    Source Type:Article
    DOI:10.25819/ubsi/8205
    Journal:Media in action : interdisciplinary journal on cooperative media
    Volume number:2017,2-Artikel_07
      342  115